August 17, 2017
Fiction writers (and readers) know fiction takes place in a made-up world and that world may or may not reflect the real one. Add that some fiction takes place in standalone work and some becomes part of a series. This makes the decision on whether to use real places or not even more complicated.
Here are some tips to help you decide when to use real places in your fiction.
- Consider legal implications. I am not a lawyer, so am not offering any legal advice or insights–only common sense. You wouldn’t want anyone saying something negative or libelous about your establishment or business, so don’t do that to anyone else.
- Think about how involved your character is with the establishment. If the character owns it, you might want to avoid using a real-life business since the character is so connected to it.
- Decide how important it is that your reader connect with the establishment. Readers recognize real-life business names and connect with them, but does the world in your fiction have to mirror the reader’s or simply be one he or she can envision?
- Determine location consistency. If you’re writing a series, this becomes very important. No one would appreciate Sherlock Holmes’ address changing from 221B Baker Street. Neither will your series reader appreciate your establishment moving from location to location between books.
- Be aware real establishments move or go out of business. Establishments can move or go out of business over time and books are in print a long time. Creating a fictional establishment keeps you in control of where things happen in your book or story.
Since you’re creating the world around your fiction story, you get to decide when to use real places and names. I hope these tips help you. Happy writing!
August 2, 2017
Adventure novel readers expect your protagonist is involved in action that’s risky with unseen danger or unexpected excitement. This action is connected to the antagonist, which may be human or not. As long as the antagonist is an adversary that provides conflict or puts your protagonist in such jeopardy that he/she has to take action, you’re headed the right way in your adventure novel.
Here are some tips to help you.
- Hold your reader’s interest by keeping things moving. Allow your reader to take a breath once in awhile, but stay mindful of the pace your novel keeps. You can’t have a fight or confrontation on every page, so consider changing the scene or having your character ponder a memory as tools to help slow things down when you need to.
- Create tension either between characters or within your main character. Think about why the protagonist and antagonist are on opposite sides or why the protagonist is fighting with his/her internal demons/doubts/issues, including ways the protagonist is like the antagonist and wants to change.
- Offer your reader some suspense. At some point your protagonist will face a threat or some type of jeopardy. If you’re writing a series, your reader fully expects your protagonist to survive, but doesn’t know how it will happen. You need to create suspense as you answer that survival question.
Keep these three ideas in mind as you write your adventure novel and you’ll have a good foundation for your book. There’s much more to it such as the scenes your action takes place in, the timeline of your story (hours versus weeks versus months versus years), and characters you develop, etc. Readers root for the protagonist, so plan your final scene carefully. Sometimes bad guys get away, sometimes they don’t. It’s up to you as author. Happy writing!
July 21, 2017
One of the best things about being a writer is the variety of choices you have in deciding what to write–articles, books, short stories, etc.
One of the hardest things about being a writer is writing a lead that entices the reader to consider reading your article, then keeps the reader reading past the first paragraph.
Two obvious ways to write leads are (1) offer an anecdote that makes the point of your article, and ( 2) use a quote that grabs your reader and highlights the focus of your article.
When you don’t have either of those options, use these steps to help you write a great lead.
- Imagine your reader and why he/she might be looking for in an article on the topic you’re writing.
- Ask the question, “What’s in it for me?” from the reader’s perspective.
- Answer the question by showing the reader in plain language what he/she will learn from reading your article.
- Keep a conversational approach in your writing. Remember that your reader is looking for information, but not necessarily a class or complete education on the subject.
- Respect the reader’s time by delivering meaningful information the reader can use.
You may find you have to write the first draft of your article before you can use the steps above to actually come up with the lead that will work for you. But that’s okay. You’ll know from the first draft what you can offer the reader, then you can write the lead to entice them and deliver what you promise. Happy writing!
June 13, 2017
One tool fiction writers use is foreshadowing (hinting to the reader about something that’s coming). If you use foreshadowing, you’re setting up an expectation with your reader and you absolutely need to meet that expectation before the end of your novel.
Here are some tips to help you make sure you create a good relationship with your reader so he/she trusts you’ll deliver what you promise in your foreshadowing.
- Make sure you’re working from a detailed outline that lays out these things: each character’s role, how each character affects the overall plot, and how each character ends up at the end of the novel.
- Be aware that you may decide to change your story as you write (one mystery author I know told me that one time the character she expected to be the killer simply wouldn’t do it, so she had to change the story). If you do change directions in your story, make sure you map out the change in your original detailed outline so you can see if the change makes sense with the rest of the story.
- Create a series of questions about your novel so you can critique it once it’s completed. Feel free to use these questions as a starting point: (1) Did the characters meet their goals or explain their failures? (2) Which destinies of which characters were left unanswered (if any)? (3) Which plot activities were not completed (things like a love attraction, a crime committed, etc.)? (4) How clearly did the plot and any subplots merge by the end of the story? (5) How well did things like dialogue, actions, etc. move the plot along (you don’t want to lead your reader down blind alleys or dead ends, which will only frustrate your reader and cause him/her to distrust you as an author)?
- Find a few readers you trust to read your manuscript and offer you honest feedback. Encourage them to share questions with you that they may have thought about during the reading. You, as author, know what you mean, know what you think, and know what you intend. Your reader, however, only has your written story to go by, so you’ll do yourself a big favor by learning about any holes in your story before you try to get it published.
I’ve written both fiction and nonfiction, and I think fiction is much harder to write because you’re creating the entire world the story lives in. You make a promise to your reader that your novel will be entertaining and worth his/her time to read. I hope these tips help you keep that promise. Happy writing!
May 25, 2017
Whether writing fiction or non-fiction, every good writer conducts research and one of the best research techniques is interviewing experts. But many experts are busy people, which often makes it hard to get interviews with them. Here are some tips to help.
- Create a list of primary resources. No one person is the only expert on a given topic, so consider creating a list of experts instead of focusing on just one or two.
- Create a list of secondary resources. Sometimes experts are reluctant to spend time with interviewers because the interviewer doesn’t appear to know much about the subject in the first place. Experts like to share, but don’t have time to offer in-depth education. Demonstrating you have background knowledge on the subject matter can go a long way in getting the interview.
- Let the expert know how you intend to use information from the interview. If you’ve sold an article, let the expert know which publication the article is for. If you’re still looking for a sale, let the expert know you’re approaching several publications and will let him or her know which one is publishing it when that’s determined. If you’re writing a book, offer to keep the expert posted on your progress.
- Show the expert your professionalism as a writer. Mention publications you’ve written for. Offer samples of your writing. Give references if asked. Experts don’t want to be misquoted. You can ease that concern by showing you’re a professional.
- Make sure the expert knows you selected him or her for the interview and why. Most experts really care about their subject matter and want it treated with respect. Your job is to make sure it is.
Getting an interview can be challenging, but it can also be rewarding in many ways. I hope these tips help. Happy writing!
March 28, 2017
As a writer, one of the toughest decisions you’ll have to make is whether to keep writing in your spare time or go into it full time. As tempting as it might be to go full time, be sure you make the effort to really analyze yourself and your situation before you do.
Here are some things to consider.
- How much money will you need to earn in the next three years in order to do more than just survive? Can you make that much if you combine writing, teaching, speaking, etc.? Do you have income sources or savings to help you while you’re making the change to full time?
- What is your worst-case financial scenario and can you live with it if you need to? If you can, for how long?
- How large is the marketplace for the type of writing you do? How stable is that marketplace (example: there’s been a huge change in the newspaper market in recent years)?
- How well do you handle rejection? Will you take it personally or will you understand it’s what you’re offering that’s being rejected? Are you persistent enough to keep trying after multiple rejections?
- How many people do you know who are willing to help you understand the writing profession? To mentor you? To represent you (example: agent)?
- How disciplined are you to work on your own? To do the things you need to do that aren’t so much fun (find markets, research, write query letters, meet deadlines, etc.)?
- How well do you handle unmet expectations? Giving up perks (like benefits, regular hours, etc.)? Keeping business records (writing is business, after all)?
- How flexible are you when asked to change something you’ve written? When adjusting your lifestyle to becoming self-employed? When expanding your circle of influence or researching projects or learning more about the publishing industry?
- How supportive is your spouse or significant other in your decision? Your friends? Your family?
- Finally, how do you really feel about not having a steady paycheck?
Only you can answer these questions, and I trust you’ll spend some time really thinking about them before you make your decision. Whether you decide to write full time or part time, remember that only you write what you write. No one else is you, so no one else can write what you do. Happy writing!
March 2, 2017
Today’s society runs 0n sound bites and 140-character postings. Few of us have the luxury of sitting down for hours to enjoy reading fiction. Instead, we claim our reading time while riding public transit, waiting for appointments, or at the end of a long, busy, exhausting day.
Authors need to be mindful of how readers read. When introducing your reader to your characters, it’s best to remember what it’s like when you first meet a person. You don’t get that person’s entire backstory all at once. The longer you know a person, the more you learn about him or her. Here are some tips to help you reveal your characters in snippets.
- Consider what the person’s name tells you about the person. Is it a common first name? Surname? Does the surname remind you of certain countries? Ethnicity? Is the first name a family name or unusual in some other way?
- Describe how the person dresses (you may include jewelry choices in this also). Is the person in uniform? Casual? Dressy? Flashy? How comfortable does the person appear in that attire? Clumsy? Tugging at what he or she is wearing? Picking lint off a shirt? Wearing a wedding ring?
- Notice how others interact or react to the character you’re introducing. Do you sense respect? Tolerance? Admiration? Frustration?
- Listen for any speech nuances. Does your character have an accent? Speak with sophistication? Use street talk? The dialogue you write can help here.
- Take note of the character’s table manners and types of food he or she prefers. Does the character know when to use a salad versus a table fork? Where did that knowledge come from? Does the character prefer finger food? Fast food? Fine dining? Desserts? Why?
- Give insights into the character’s class status by offering what the parents do for work (professional, trade, business owner, etc.). Can also give insights into where the character lives or has lived growing up.
- Offer insights into the character via his or her inner thoughts, comfort level in different situations, personal strengths or insecurities, etc. Share what in the character’s background contributed to character feeling this way.
Your readers want to get to know your characters, but not all at once. You don’t know everything about everyone you meet right away. You learn a little at a time. So it should be with revealing your characters to your readers. Weave the backstory into your writing a little bit at a time using dialogue, observation, and action. Happy writing!