Avoid Making Character Stereotypes

March 27, 2018

Almost everyone has heard of one stereotype or another–some relate to blondes, others relate to old men, others relate to rich kids, etc. A stereotype is nothing more than a widely recognized description of a section of humanity. Most readers don’t appreciate the triteness of character stereotypes. Here are some tips on how you can avoid making them.

  • Enhance common stereotypes by avoid predictability. If your character is poor and ignored by society, start with that. Then can change reader expectations of what your character does by adding characteristics not normally associated with the stereotype.
  • Allow your character to make decisions and take actions not normally associated with that character’s stereotype. One caution, however, is to make sure your character doesn’t get too far from his/her origins or your reader will feel duped.
  • Consider which stereotype your reader might assign to your character, then develop other sides to that character that your reader wouldn’t necessarily expect. Add details throughout your story to make your character stand out away from the initial stereotypical impression.
  • Show a totally opposite side of your character. If your character is a self-giving individual, have him or her do something that’s totally self-serving and unexpected. Be sure you provide the reader with the motivation for this opposite side, however, or your reader won’t accept it as believable. You can do this with emotions, flashbacks, scenes showing a part of your character that’s known only to that character, for example.
  • Offer a life-changing event in your character’s life that makes your character step away from the stereotypical actions/reactions. It could be the loss of a loved one, loss of a dream, birth of a child, or any other life-altering event, but it has to be huge and have a major impact on your character.
  • Allow your reader a glimpse into the depths of your character that shows your character always possessed what it takes to become the non-stereotypical character he/she’s become. Again, you can weave this through your story with memories, emotions, etc.
  • Use other characters to show the non-stereotypical traits of your character. Other characters can witness actions, discuss concerns, offer insights, etc. Allow other characters to help answer questions your reader may have about what makes your protagonist or antagonist who they are.

The old quote that writers are observers of life fits here. Observing people to help you avoid making character stereotypes might be one of the most fun things you get to do as a writer. Observe, note initial impressions, then ponder what could really be behind what you see. Your characters (and readers) will appreciate it. Happy writing!




Give Yourself Permission to Write

March 21, 2018

Yesterday was the first day of spring. Consider using spring as a springboard for giving yourself permission to write, especially if spring is a time that takes you away from writing in favor of other ways to spend your time.

Here are some miscellaneous ideas to get you going.

  • Consider writing simultaneous projects. Writing a variety offers you opportunity to work on whichever project speaks to you on a specific day. Getting stuck on one article or one character or one story rather than moving on to another that beckons you creates writers block. Once you give yourself permission to temporarily step away from one project toward another, you’ll find your writing flow begins anew.
  • Ignore the nag on your shoulder that plants seeds that people won’t like your story or article or whatever. Of course some people won’t like what you write. Some people don’t like fish. Some people don’t like romance novels. Some people don’t like football.  And some people won’t like your book. But others will love it. That’s just the way life is.
  • Avoid putting things in your book that don’t belong there. Instead, save those great ideas, descriptions, relationships, etc. for another project. In other words, don’t force something into your story simply because you like it or someone suggests it. If it belongs in the story, it will fit let you know. Indulge me as I tell the story of the dog we rescued four years ago. We got a telephone call from a woman we met at a restaurant a few days earlier. During dinner we talked about animals and mentioned we hadn’t had a dog is 30 years because I didn’t want to hurt over losing an animal again. She remembered us, called, and asked if we’d meet the dog her neighbor intended to have put down because the daughter wouldn’t take care of it. The dog was five and still didn’t have a name. The restaurant woman said, “Don’t worry, he’ll tell you his name.” So we met the dog. He answered to nothing. Then, a name popped into my head, I said it, and he perked up and looked at me. That’s been his name ever since and he answers to it always. My point? If something is supposed to be in your story, you will know.
  • Remember to not tell the same story twice. I read a lot of book series and am amazed at how well the best sellers tell a new story in each book. If you’re writing a series, consider keeping a chart for each book.  For example, if writing a mystery series, track the story set up, details on the killer and the victim, the crime motive, how the crime was committed, and the climax of the story. You can change character interests, change settings, change vocations, all sorts of things. Just don’t tell the same story twice.
  • Do your research. Read everything because ideas are everywhere. If writing nonfiction, make a detailed outline of chapters and subheads within the chapters. Once you’ve done that, your research will help you fill in the details. You may want to consider that for fiction as well–outline what happens, when characters meet, how they meet, etc. Whether you write fiction or nonfiction, you need to do a lot of research because your reader will know if you didn’t.

Writing isn’t a destination. It’s a life-long journey. Give yourself permission to enjoy it. Happy writing!